Oud Making in Turkey: historical musical instrument construction techniques
By Jonathan Hill, 2021
Fellow’s Profile
Fellow’s Profile
Oud making in Turkey: historical musical instrument construction techniques
Constructing period instruments by understanding materials and techniques used in other countries
2016
London
I make stringed musical instruments in my workshop in Deptford, south-east London. I specialise in making reproductions of 'early' instruments such as the viola d'amore, lira da braccio, viol, violin and viola, as well as bespoke modern versions, which challenge the instruments' traditional use and allow for new directions in contemporary and experimental music.
I measure and examine historical instruments in collections around the world and use this information to inform and inspire my new making.
I typically make to order for professional as well as amateur players and my instruments are sought after and highly praised due to the high level of craftsmanship they exemplify. I have a strong interest in the decorative arts and apply a wide range of decorative techniques to my work. My other skills include woodcarving, woodturning, gilding, marquetry and other decorative wood techniques.
All Reports are copyright © the author. The moral right of the author has been asserted. The views and opinions expressed by any Fellow are those of the Fellow and not of the Churchill Fellowship or its partners, which have no responsibility or liability for any part of them.
All Reports are copyright © the author. The moral right of the author has been asserted. The views and opinions expressed by any Fellow are those of the Fellow and not of the Churchill Fellowship or its partners, which have no responsibility or liability for any part of them.